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Copyright registration cost calculator

Price out US Copyright Office filings, expedited handling, group registrations, and attorney help in under a minute.

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Total copyright cost
$45
1 application(s) at $45 each
Filing fees
$45
Expedited add-on
$0
Attorney fee
$0
Registration is required before you can sue for infringement in federal court. Timely registration (within 3 months of publication or before infringement) unlocks statutory damages up to $150,000 per work plus attorney’s fees.
Cost breakdown

How much does it cost to register a copyright in 2026?

For most individual creators, registering a copyright with the US Copyright Office costs between $45 and $125 in government filing fees, with the typical small-creator scenario coming in at $45 for a single author registering a single work. Attorneys add $300 to $1,500 on top of that for straightforward filings, and expedited handling (what the Office calls “special handling”) costs an additional $800 per claim. Those three numbers, stacked together, form the real out-of-pocket cost of protecting a song, book, photograph, screenplay, software program, or visual artwork under US copyright law.

The key thing to understand is that copyright exists the moment a work is fixed in a tangible medium of expression. You do not pay anything, and you do not need to register, to own the copyright. Registration is what unlocks the right to sue in federal court, the right to statutory damages, and the ability to recover attorney’s fees — which is why the filing fee, small as it is, carries disproportionate weight.

2026 US Copyright Office filing fees by registration type

The Office last adjusted fees in 2020 and the current schedule remains in force for 2026. Here is the full breakdown of the fees you are most likely to encounter:

  • Single author, single work, not for hire — $45. This is the cheapest option and covers the classic indie creator case: you wrote the novel, composed the song, or took the photo, and the work is not a work made for hire. Only one work, one author, one claimant.
  • Standard application — $65. Any registration that does not meet the narrow $45 criteria. Multiple authors, works made for hire, or multiple claimants all route here. Most businesses registering content pay this fee.
  • Group of unpublished works (GRUW) — $85 for up to 10 works. Effectively $8.50 per work if you use all ten slots. Ideal for photographers and songwriters building a catalog.
  • Group of published photographs (GRPPH) — $55 for up to 750 images. A massive discount for photographers; that is roughly seven cents per image if fully loaded.
  • Group of serials (newsletters, journals) — $95 per group. Designed for periodicals published at regular intervals.
  • Paper Form CO filing — $125. The most expensive option and the slowest. Almost no one should file on paper today.
  • Special handling (expedited) — $800 additional. Reduces the queue from six to nine months down to five business days, but requires a compelling reason such as pending litigation, customs enforcement, or a contract deadline.

Why registration matters: the $150,000 math

Here is the practical reason to pay the $45: without a registration certificate, you cannot file an infringement lawsuit in federal court. And without a timely registration — meaning one filed before the infringement began, or within three months of first publication — you are limited to actual damages, which are often tiny and hard to prove. A photograph stolen by a medium-size blog might generate $50 in actual damages, which no lawyer will touch on contingency.

Timely registration changes the game. It unlocks two remedies: statutory damages up to $30,000 per work infringed (or $150,000 per work if the infringement is willful), and the ability to recover attorney’s fees from the defendant. Now that same stolen photograph is a $30,000 case with fees, and suddenly every copyright attorney in the country will take it on contingency. The $45 filing fee is, arguably, the highest-ROI legal expenditure a working creator can make.

When expedited processing is worth $800

Standard copyright applications currently take six to nine months to process, and electronic applications with no issues can take three to four. Special handling compresses that timeline to five business days, for a flat $800 additional fee per claim. Pay it only when you have a qualifying reason:

  • Pending or prospective litigation. You need the certificate to file suit, and the statute of limitations is approaching or you are watching infringement continue in real time.
  • Customs matters. You are trying to record the copyright with US Customs and Border Protection to stop counterfeit imports.
  • Contract or publishing deadlines. A publisher, distributor, or licensee is requiring proof of registration before releasing funds.

If none of those apply, save the $800 and file normally. The registration, once issued, will be effective as of the date the Office received the complete application — so you are not losing any protection by waiting.

Group registrations: how to register hundreds of works for the price of one

Group registration is the single biggest cost lever for prolific creators. Rather than $65 per work, you pay one group fee for a bundle. The Office offers several group options:

  • Unpublished works (GRUW): up to 10 works by the same author for $85. Used for poems, stories, songs, or screenplays held back from publication.
  • Published photographs (GRPPH): up to 750 photographs published within the same calendar year for $55. The best deal in the entire fee schedule on a per-work basis.
  • Unpublished photographs (GRUPH): up to 750 photographs for $55.
  • Short online literary works (GRTX): up to 50 blog posts, articles, or similar short works for $65.
  • Musical works (GRAM): up to 20 musical works or sound recordings by the same songwriter or recording artist for $85.
  • Contributions to periodicals (GRCP): a single author’s published contributions for $85.

A freelance photographer shooting 500 images a month can register an entire year of work (6,000 images) for about $440 total using eight GRPPH filings — compared to $390,000 at $65 per image if filed individually. That is not a typo.

Deposit requirements: what you have to send

Every registration requires a deposit copy of the work. For most digital works, you upload a PDF, MP3, MP4, or image file directly through the eCO online portal. Physical works (books, sculptures, paintings) require one or two physical copies mailed to the Library of Congress — which is what the Copyright Office is technically a part of. Deposits for unpublished works require one copy; published works generally require two copies of the best edition. Software has special rules: you deposit source code, either the first 25 and last 25 pages, or the entire code with trade secrets blocked out.

Attorney fees: when they make sense and when they don’t

For a single creator registering a single work through the eCO portal, attorneys are rarely necessary. The application takes about 30 minutes, the Office provides clear guidance, and the worst likely outcome — a refusal or a correspondence letter from an examiner — can be addressed with a brief written response. Hiring an attorney for a $45 filing easily triples or quadruples the total cost.

Attorneys become worthwhile when the registration involves:

  • Derivative works or compilations where the scope of the registration affects downstream licensing.
  • Works made for hire where ownership and authorship must be pleaded correctly on the form to avoid later disputes.
  • Software with trade secrets requiring careful redaction of the deposit.
  • Architecture or useful articles where the line between copyrightable expression and uncopyrightable function is fact-intensive.
  • Refusals or office actions requiring a Request for Reconsideration — a written legal brief that truly benefits from counsel.

Expect flat fees of $300 to $800 for simple supervised filings, $1,000 to $2,500 for complex works or group registrations, and hourly rates of $300 to $600 for disputes or reconsiderations.

Common mistakes that cost creators thousands

The three most expensive mistakes we see in our practice: (1) waiting too long after publication so statutory damages are no longer available against infringers who copied before registration; (2) filing under the $45 single-author option when a co-author exists, which makes the registration vulnerable to cancellation; and (3) registering the wrong version of a work — for example, registering an unpublished manuscript and then never re-registering after publication, leaving the published edition legally naked.

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Frequently asked questions

Do I need to register a copyright to own it?

No. Copyright attaches the instant a work is fixed in tangible form. Registration is required only if you want to sue for infringement in federal court, collect statutory damages, or recover attorney’s fees.

How long does registration take without expediting?

Online applications through the eCO portal typically take three to nine months. Paper filings can take a year or more. Special handling reduces that to five business days for an extra $800.

Can I register multiple works on one application?

Yes, if they qualify for a group option. Up to 750 photographs, 20 musical works, 50 short online literary works, or 10 unpublished works can go on a single group filing — often for less than the cost of two individual registrations.

Does US registration protect me internationally?

Largely, yes. Under the Berne Convention, your US copyright is automatically recognized in 180-plus member countries. You do not need separate registrations for international protection, though enforcement still follows local law.

Is my data stored?

No. All calculations run in your browser.

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